54,097 matching cards · 24 cards per page
COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records [19--]
FROM THE SOURCE CATALOG Text on front reads: "Hoa-gui." Text on front reads: "50 - A.O.F. Jeune Femme Peul. Ets A.P. Landowski - B.P. No282 - Dakar. Reproduction interdite." Translated postcard caption reads, "50 - A.O.F. Young Peuhl woman.".
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.1985-014, Item EEPA SG-20-24
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records [19--]
FROM THE SOURCE CATALOG Text on front reads: "Hoa-gui." Text on front reads: "47 - A.O.F. Type d'homme Ouolof. Ets A.P. Landowski - B.P. No282 - Dakar. Reproduction interdite." Translated postcard caption reads, "47 - A.O.F. Type of Wolof man.".
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.1985-014, Item EEPA SG-20-23
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1972
FROM THE SOURCE CATALOG Cataloged as “A old woman wearing face paint dancing at an Ihuen Festival, Ekpoma, Nigeria” (Negatives (photographic)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2016-007, Item EEPA 2016-007-4402
Explore record → BIOGRAPHY Portrait not available Explore the life, work and source references. BIOGRAPHY Arts & Performance 1964–2001
Anthony Clark (1964 – November 11, 2001), known as A-One, was an American graffiti artist. He developed a style he called "aerosol expressionism".
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Read biography → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1972
FROM THE SOURCE CATALOG Cataloged as “A One Nigeria Masquerade mask, Ugbekpe, Nigeria” (Negatives (photographic)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2016-007, Item EEPA 2016-007-5023
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1993
FROM THE SOURCE CATALOG Cataloged as “A open book on a table in a workshop copying Mor Gueye sous verres near Sandaga Market, Dakar, Senegal” (Slides (photographs)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.1993-006, Item EEPA 1993-060213
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records October 1990
FROM THE SOURCE CATALOG Cataloged as “A open manuscript from the "Cahiers William Ponty" at the National Archives, Dakar, Senegal” (Slides (photographs)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.1991-002, Item EEPA 1991-020016
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & documents 1869
FROM THE SOURCE CATALOG Cataloged as “A – P”.
Smithsonian National Museum of African American History and Culture Catalog NMAAHC.FB.M1910, Item 3.1.4.2
Explore record → BIOGRAPHY Portrait not available Explore the life, work and source references. BIOGRAPHY Education & Scholarship 1936–
Alexander Pierre Tureaud Jr. (born c. 1936) is an African-American speaker, artist, educator, and author. He is known for being the first black student at Louisiana State University, entering in 1953 after his father, A. P. Tureaud Sr., sued the school.
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Read biography → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1994
FROM THE SOURCE CATALOG Cataloged as “A painted advertisement by Haile Wolde-Michael, Eritrea” (Negatives (photographic)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2007-003, Item EEPA 2007-003-0039
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1973
FROM THE SOURCE CATALOG Cataloged as “A painted and carved façade of a grave, Afashio, Nigeria” (Negatives (photographic)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2016-007, Item EEPA 2016-007-6014
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1973
FROM THE SOURCE CATALOG Cataloged as “A painted Anogiri mask, Ogiriga, Nigeria” (Negatives (photographic)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2016-007, Item EEPA 2016-007-6217
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1993
FROM THE SOURCE CATALOG Cataloged as “A painted boat in the IFAN Museum, Saint -Louis, Senegal” (Slides (photographs)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.1993-006, Item EEPA 1993-060088
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1993
FROM THE SOURCE CATALOG Cataloged as “A painted bus driving down a road in Saint-Louis, Saint -Louis, Senegal” (Slides (photographs)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.1993-006, Item EEPA 1993-060128
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1995
FROM THE SOURCE CATALOG Cataloged as “A painted ceiling in a church, Asmara, Eritrea” (Negatives (photographic)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2007-003, Item EEPA 2007-003-0816
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records Spring 1974
FROM THE SOURCE CATALOG Cataloged as “A painted column in Biet Mariam Church, Lalibela, Ethiopia” (Slides (photographs)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2013-013, Item EEPA 2013-013-0142
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1973
FROM THE SOURCE CATALOG Cataloged as “A painted cow skin canvas displayed at the IES Museum, Addis Ababa, Ethiopia” (Slides (photographs)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2013-013, Item EEPA 2013-013-0069
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1972
FROM THE SOURCE CATALOG Cataloged as “A painted design on the wall of a title house, Okpella, Nigeria” (Negatives (photographic)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2016-007, Item EEPA 2016-007-4429
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1995
FROM THE SOURCE CATALOG Cataloged as “A painted detail of a storefront, Asmara, Eritrea” (Negatives).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2007-003, Item EEPA 2007-003-0819
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1972
FROM THE SOURCE CATALOG Cataloged as “A painted dish made from a calabash, Ithurogbe, Nigeria” (Negatives (photographic)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2016-007, Item EEPA 2016-007-4884
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1993
FROM THE SOURCE CATALOG Cataloged as “A painted fence in front of a house in Saint-Louis, Saint -Louis, Senegal” (Slides (photographs)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.1993-006, Item EEPA 1993-060107
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1965-1996
FROM THE SOURCE CATALOG Cataloged as “A painted icon depicting the Virgin Mary and Child, Ethiopia” (Slides (photographs)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2013-013, Item EEPA 2013-013-0156
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1995-1997
FROM THE SOURCE CATALOG Cataloged as “A painted military transport vehicle, Keren, Eritrea” (Negatives (photographic)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2007-003, Item EEPA 2007-003-1226
Explore record → COLLECTION RECORD Image not available Explore the catalog description and source record. ARCHIVE RECORD Historical photographs & visual records 1965-1996
FROM THE SOURCE CATALOG Cataloged as “A painted mural depicting a guardian angel in Genata Maryam Medhane Alem Church, Lasta, Ethiopia” (Slides (photographs)).
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African Art Catalog EEPA.2013-013, Item EEPA 2013-013-0154
Explore record → Biographies, museum objects and archive records are distinct card types. Every card links to its historical source.
