Powder blue and black hardback book with a decorative dust jacket which lists the text's title, author, and publisher. The front cover consists of a series of two black and white images which face and oppose each other in a pattern. The first image, where…
Smithsonian National Museum of African American History and CultureCatalog 2014.273.18
Pamphlet consisting of white and black text on a red square on the bottom half of the pamphlet. Above it, a black-and-white drawing of an African American family face outwards.
Smithsonian National Museum of African American History and CultureCatalog 2010.55.26
This is a hardcover book, crimson in color, with extensive illustrations on the front cover. The title is written on a waving gold banner located in the top half of the front cover; the banner appears to be apart of a collage of military paraphernalia…
Smithsonian National Museum of African American History and CultureCatalog 2014.273.25
A quilt (a) with bag (b) titled “The Blue Print” created by Lawrence Jenkins, Allen Nguyen, Harun Sharif-El, and Gary Tyler, prisoner-volunteers of the hospice center within Louisiana State Penitentiary, commonly called “Angola." The quilt is done mostly…
Smithsonian National Museum of African American History and CultureCatalog 2018.54.1ab
This gelatin silver print depicts a black and white image of a bride and her father. The bride is looking at the camera as she holds her shoes in her right hand and her bouquet in the left. Her father is looking at her from a distance. He is wearing a suit…
Smithsonian National Museum of African American History and CultureCatalog 2014.310.58
This gelatin silver print depicts a black and white image of a bride and groom and their guests. The bride and groom are standing just off center on the left side of the photograph. The wedding guests are standing next to them and behind them on the porch…
Smithsonian National Museum of African American History and CultureCatalog 2014.310.61
The Bronzeman, vol. 3 no. 7, featuring an illustration of a woman set against a blue and white background. The woman is standing in three quarters profile with her head turned towards the viewer and smiling. She is wearing a red, white, and black plaid…
Smithsonian National Museum of African American History and CultureCatalog 2013.46.25.271
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.1
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.2
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.3
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.4
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.9
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.50
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.51
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.52
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.53
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.54
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.5
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.6
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.7
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.8
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.10
"The importance of home, family, and ancestry feeds my work entirely." - Whitfield Lovell Each of Whitfield Lovell’s charcoal drawings of unidentified individuals draws the viewer into an intimate world. The child of a mother born in the South and a father…
Smithsonian National Museum of African American History and CultureCatalog 2011.70.11
