Postcard image of a group of men and women seated. Printed text on recto reads: "Dahomey / 34. Ouidah.- Groupe de féticheuses - Fetischpriesterinnen - Fetish-women." Printed text on verso reads: "Carte Postale; Correspondance; Adresse." Postage stamp and…
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.1985-014, Item EEPA DM 1985-144014
Printed caption on recto reads: "35. Katanga. - Fermier et sa famille." Translated postcard caption reads: "35. Katanga. - A farmer and his family." Additional printed text on recto reads: "Edit. Malevez, rue Kersbeek; 33 / Uccle - Bruxelles." Manuscript…
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.1985-014, Item EEPA CG 2011-001-1502
Printed caption on recto reads: "35. Papa et fiston - Kisantu / Vader en Zoon." Translated postcard caption reads, "35. Papa and son - Kisantu." Printed text on verso reads: "Mission du Kwango. Kwango Missie.".
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.1985-014, Item EEPA CG 2011-001-1086
A black plastic point-and-shoot camera. "EZ 35" printed on the upper right corner of the front and the bottom right corner of the top. "35mm Focus Free Color Corrected Lens" is written around the lens on the front.
Smithsonian National Museum of African American History and CultureCatalog 2007.1.6
Contains recordings of presentations at the 35th Flaherty Film Seminar held at Wells College in Aurora, New York. Pearl Bowser and Grant Munro were the conference's programmers that year.
Smithsonian National Museum of African American History and CultureCatalog sova.nmaahc.a2012.79.av_ref33
This photograph depicts the the camp of the 366th Infantry Regiment. The triangle tents are lined up in rows to the right of the winding road. There are more tents in the distance on the other side of the road. The town of Ainvelle is pictured on a hill in…
Smithsonian National Museum of African American History and CultureCatalog 2015.97.23.5
This photograph depicts a soldier on a horse leading a battalion of soliders.The line formation arches across the photograph from left to right and there are two horse-drawn wagons at the end of the line.The Signal Corps USA logo is in the bottom left…
Smithsonian National Museum of African American History and CultureCatalog 2015.97.23.11
In this photograph soldiers are walking away from the camera along a road. The soldiers are walking to the right of the road in a single file line. There is one soldier walking on the left side of the road. There are five trees alongside the road where the…
Smithsonian National Museum of African American History and CultureCatalog 2015.97.23.8
This photograph depicts soldiers walking down a road in a single-file line. The soldiers are wearing helmets and carrying rifles. Trees flank both sides of the road. Two nets are suspended in the trees and cover the road from above. The second net is…
Smithsonian National Museum of African American History and CultureCatalog 2015.97.23.16
Cataloged as “#3709: George Faison choreographing "Suite Otis" with dancers Marilyn Banks and Carl Paris in studio with Alvin Ailey watching” (Contact sheet).
Smithsonian National Museum of African American History and CultureCatalog sova.nmaahc.a2013.245_ref414
Cataloged as “#3781: Entire Alvin Ailey American Dance Theater Company dancers onstage at City Center for Ailey Company Poster (20th Anniversary)” (Contact sheet).
Smithsonian National Museum of African American History and CultureCatalog sova.nmaahc.a2013.245_ref415
