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SERIES 1 · THE COMPLETE COLLECTION

Series 1 · Slavery, Resistance & Freedom

Learn about enslavement, resistance, abolition and the struggle for freedom through biographies and historical records.

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BIOGRAPHY
Scholarship

Nicole Fleetwood

Biography

Nicole R. Fleetwood (born February 24, 1973) is an American academic, curator, police abolitionist, prison abolitionist, and author. She is the inaugural James Weldon Johnson Professor at New York University's Steinhardt School of Culture, Education, and…

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MUSEUM OBJECT
Slavery and Freedom Objects

Niles Weekly Register no. 11 vol.1

1817

FROM THE SOURCE CATALOG

Two editions of the Niles Weekly Register bound together. The first edition is the Niles Weekly Register no. 11, Vol. 1. This newspaper is dated November 8th, 1817. It has 16 pages. is 16 pages in length. The second edition is the Niles Weekly Register no.…

Smithsonian National Museum of African American History and CultureCatalog 2014.251.3
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MUSEUM OBJECT
Slavery and Freedom Objects

Niles' Weekly Register, Third Series No. 3 Vol. IX

September 15, 1827

FROM THE SOURCE CATALOG

Issue No. 3 Vol. IX of Niles' Weekly Register, Third series published in Baltimore, Maryland. Page 42 contains an account titled [THE HORRIBLE TRADE. Communication from a naval officer of rank, emplyed on the coast of Africa" about a slave ship.] The…

Smithsonian National Museum of African American History and CultureCatalog 2014.312.236
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MUSEUM OBJECT
Slavery and Freedom Objects

Niles' Weekly Register Vol. XLIX No 1,252

September 19, 1835

FROM THE SOURCE CATALOG

An issue of Niles' Weekly Register, Fourth series. No. 3--Vol. XIII, published in Baltimore in black ink on white paper. On page 39, under the heading [INTERESTING ARTICLES] is commentary from the Charleston Patriot regarding Virginia's role as a "breeder…

Smithsonian National Museum of African American History and CultureCatalog 2014.312.228
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MUSEUM OBJECT
Visual Arts

No. 1 John Brown, a man who had a fanatical belief that he was chosen by God to overthrow black slavery in America.

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts Jesus crucified on a black cross with long, yellow nails. Red blood drips from the feet of Jesus onto the ground. John Brown stands at the foot of the cross, his…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.1
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MUSEUM OBJECT
Visual Arts

No. 10 Those pro-slavery were murdered by those anti-slavery.

1977

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A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts five corpses, four laying down and one slouched, on the brown ground. The first body at the top, wearing a dark green top, is laying with limbs akimbo. Next to…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.10
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MUSEUM OBJECT
Visual Arts

No. 11 John Brown took to guerilla warfare.

1977

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A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts three men on horseback on brown land. The top left person is wearing a dark green shirt while riding a brown horse with a pistol and belts of bullets. The right…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.11
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MUSEUM OBJECT
screen prints

No. 12 John Brown’s victory at Black Jack drove those pro-slavery to new fury, and those who were anti-slavery to new efforts.

1977

FROM THE SOURCE CATALOG

“John Brown worked not simply for Black men—he worked with them; and he was a companion of their daily life, knew their faults and virtues, and felt, as few white Americans have felt, the bitter tragedy of their lot.” —W. E. B. Du Bois, John Brown, 1909…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.12
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Visual Arts

No. 13 John Brown, after long meditation, planned to fortify himself somewhere in the mountains of Virginia or Tennessee and there make raids on the surrounding plantations, freeing slaves

1941; reprinted 1977

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A screen print from the series “The Legend of John Brown" by Jacob Lawrence. The print depicts Brown sitting at a table, a map and a lantern in front of him. On the proper left side of the table is a chair with a black book and red text block. Objects hang…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.13
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MUSEUM OBJECT
Visual Arts

No. 13 John Brown, after long meditation, planned to fortify himself somewhere in the mountains of Virginia or Tennessee and there make raids on the surrounding plantations, freeing slaves

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown" by Jacob Lawrence. The print depicts Brown sitting at a table, a map and a lantern in front of him. On the proper left side of the table is a chair with a black book and red text block. Objects hang…

Smithsonian National Museum of African American History and CultureCatalog 2023.39.25
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MUSEUM OBJECT
Visual Arts

No. 14 John Brown collected money from sympathizers and friends to carry out his plans.

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts John Brown standing over a table with both hands outstretched. On the table are two silver coins and two gold coins. On the wall to the proper left of Brown is a…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.14
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MUSEUM OBJECT
Visual Arts

No. 15 John Brown made many trips to Canada organizing for his assault on Harpers Ferry.

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts John Brown sitting at the center of a red table, holding a pen and writing on a white piece of paper. Brown is surrounded by several Black men, three sitting…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.15
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MUSEUM OBJECT
Visual Arts

No. 16 In spite of a price on his head, John Brown, in 1859, liberated 12 Negroes from Missouri plantations.

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts someone walking through a snowfield. Only the bottom half of the figure is visible on the right side of the print. On the left side is a brown tree. There are…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.16
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MUSEUM OBJECT
Visual Arts

No. 17 John Brown remained a full winter in Canada, drilling Negroes for his coming raid on Harpers Ferry

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts John Brown with his back to the viewer holding a rifle in his proper left hand. Brown is standing in front of two rows of Black men wearing winter clothing, six…

Smithsonian National Museum of African American History and CultureCatalog 2023.39.26
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MUSEUM OBJECT
Visual Arts

No. 18 July 3, 1859, John Brown stocked an old barn with guns and ammunitions. He was ready to strike his first blow at slavery.

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts a black room with several guns, ammunition, and other weapons in it. There is a grey ladder on the left side that extends to an open window at the top, peering…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.18
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MUSEUM OBJECT
Visual Arts

No. 19 Sunday, October 16, 1859, John Brown with a company of 21 men, white and black, marched on Harpers Ferry.

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts twenty-one yellow bayonets attached to black rifle barrels in a horizontal line. The weapons peek out of a brown and tan ground with a black night sky filled…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.19
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MUSEUM OBJECT
Visual Arts

No. 2 For 40 years, John Brown reflected on the hopeless and miserable condition of the slaves.

1977

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A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts John Brown at the center, seated at the head of a table and praying with five other people. A book, presumably the Bible, lays at the center. Everyone has their…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.2
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MUSEUM OBJECT
Visual Arts

No. 20 John Brown held Harpers Ferry for 12 hours.

1977

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A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts a line of seven armed men standing side-by-side, aiming and looking over a brown wall. The figures’ backs are all to the viewer, with some side profiles visible.…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.20
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MUSEUM OBJECT
Visual Arts

No. 21 After John Brown’s capture, he was put to trial for his life in Charles Town, Virginia (now West Virginia).

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts John Brown’s proper left side profile, from his waist and up. Brown is dressed in black with his head down and hands clasped in front of him, holding a red cross…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.21
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MUSEUM OBJECT
Visual Arts

No. 22 John Brown was found “Guilty of treason and murder in the 1st degree” and was hanged in Charles Town, Virginia on December 2, 1859.

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts John Brown at the center hanging by a black noose around his neck. He is dressed in black. The background is blue with a white cloud. On the front of the print,…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.22
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MUSEUM OBJECT
Slavery and Freedom Objects

No. 24: A Plantation Scene In South Carolina

ca. 1860

FROM THE SOURCE CATALOG

A black-and-white stereograph depicting a plantation scene in South Carolina, published by S. T. Souder in Charleston, South Carolina. Individuals, mostly children, are seated in chairs, on benches or steps, or on the ground. A row of white cabins appears…

Smithsonian National Museum of African American History and CultureCatalog 2014.78.3
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Source image for No. 2594: "Contrabands" made happy by employment as army teamsters. This shows a glimpse of their first "free" home; being their winter quarters near City Point, Va.Loading image…
MUSEUM OBJECT
Photographs and Still Images

No. 2594: "Contrabands" made happy by employment as army teamsters. This shows a glimpse of their first "free" home; being their winter quarters near City Point, Va.

1861-1865; published 1890

FROM THE SOURCE CATALOG

Albumen print stereograph titled [No. 2594 "Contrabands" made happy by employment as army teamsters. This shows a glimpse of their first "free" home; being their winter quarters near City Point, Va.] from the series [1861-1865 The War for the Union:…

Smithsonian National Museum of African American History and CultureCatalog 2018.105.9
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MUSEUM OBJECT
Visual Arts

No. 3 For 12 years, John Brown engaged in land speculations and wool merchandising; all this to make some money for his greater work which was the abolishment of slavery.

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts a kneeling John Brown, dressed in black, hammering a wooden marker into the ground while surveying land. To the proper right of Brown is a black, open briefcase…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.3
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MUSEUM OBJECT
Visual Arts

No. 4 His adventures failing him, he accepted poverty.

1977

FROM THE SOURCE CATALOG

A screen print from the series “The Legend of John Brown” by Jacob Lawrence. The print depicts John Brown, dressed in black, sitting at a table with his back to the viewer. His head is lowered and in his hands. A lamp and black hat are on the tabletop. On…

Smithsonian National Museum of African American History and CultureCatalog 2007.6.1.4
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Biographies, museum objects and archive records are distinct card types. Every card links to its historical source.