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SERIES 1 · THE COMPLETE COLLECTION

Series 1 · Everyday Life & Community

Discover clothing, family photographs, personal belongings and other objects that preserve everyday experiences.

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15,889 matching cards · 24 cards per page

COLLECTION RECORDImage not availableExplore the catalog description and source record.
MUSEUM OBJECT
Clothing - Costume

Costume worn by Maxine Jones in “My Lovin’ (You’re Never Gonna Get It)” video

1992

FROM THE SOURCE CATALOG

A costume worn by Maxine Jones of En Vogue for the music video “My Lovin’ (You’re Never Gonna Get It)” (1992) comprised of a dress (.1), a bra (.2), a pair of bikini briefs (.3), and a pair of shoes (.4ab). Dress (.1): Mini-length shift dress made of small…

Smithsonian National Museum of African American History and CultureCatalog 2014.189.9.1-.4ab
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
MUSEUM OBJECT
shirts

Costume worn by Michael Jackson in “They Don’t Care About Us” music video

1996

FROM THE SOURCE CATALOG

This ensemble was worn in Jackson’s music video for his 1996 release “They Don’t Care About Us.” With lyrics addressing racism, bigotry, and police brutality, the music video was directed by Spike Lee and shot on location in Dona Marta, a Rio de Janeiro…

Smithsonian National Museum of African American History and CultureCatalog 2020.27.4.1-.3ab
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
MUSEUM OBJECT
Clothing - Costume

Costume worn by Mikayla Amin for performance in response to Freddie Gray

June 14, 2015

FROM THE SOURCE CATALOG

This dance costume consists of a dark teal hooded tunic shirt (.1) and a pair of silver leggings (.2) worn by Mikayla Amin during a spring recital for Studio A Dance Academy at Morgan State University. The shirt (.1) is made from a dark teal cotton,…

Smithsonian National Museum of African American History and CultureCatalog 2016.13.1-.2
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Source image for Costume worn by Nona Hendryx of LabelleLoading image…
MUSEUM OBJECT
Clothing - Costume

Costume worn by Nona Hendryx of Labelle

1974

FROM THE SOURCE CATALOG

A costume worn by Nona Hendryx of Labelle. The costume consists of a headdress (.1), a cape (.2), silver studded black leather collar, breast covers, and codpiece (.3a-d), wrist cuffs (.4ab), platform boots (.5ab), prop handcuffs (.6), and a prop riding…

Smithsonian National Museum of African American History and CultureCatalog 2014.246.2
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Source image for Costume worn by Nona Hendryx of LabelleLoading image…
MUSEUM OBJECT
Clothing - Costume

Costume worn by Nona Hendryx of Labelle

1975

FROM THE SOURCE CATALOG

This costume was worn by Nona Hendryx of Labelle during a live performance on the television show "The Midnight Special" in 1975. The costume consists of a silver skullcap (.1), a silver unitard (.2), a silver overbodice (.3), and silver boot covers…

Smithsonian National Museum of African American History and CultureCatalog 2014.246.3.1-.4ab
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Source image for Costume worn by Terry Ellis in "Giving Him Something He Can Feel" videoLoading image…
MUSEUM OBJECT
Clothing - Costume

Costume worn by Terry Ellis in "Giving Him Something He Can Feel" video

1992

FROM THE SOURCE CATALOG

A costume worn by Terry Ellis of En Vogue for the music video "Giving Him Something He Can Feel" (1992) comprised of a red dress (.1), a bra (.2), a pair of elbow-length black gloves (.3), and a pair of black stiletto heels (.4ab). Dress (.1): A red…

Smithsonian National Museum of African American History and CultureCatalog 2014.189.3.1-.4ab
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
MUSEUM OBJECT
Clothing - Costume

Costume worn by Terry Ellis in “My Lovin’ (You’re Never Gonna Get It)” video

1992

FROM THE SOURCE CATALOG

A costume worn by Terry Ellis of En Vogue for the music video “My Lovin’ (You’re Never Gonna Get It)” (1992) comprised of a dress (.1), a bra (.2), a pair of bikini briefs (.3), and a pair of shoes (.4ab). Dress (.1): Mini-length shift dress made of small…

Smithsonian National Museum of African American History and CultureCatalog 2014.189.10.1-.4ab
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
MUSEUM OBJECT
Clothing - Costume

Costume worn on Soul Train by dancer Edith Lynn Pickens

1970s

FROM THE SOURCE CATALOG

This costume was worn by dancer Edith Lynn Pickens on the television show Soul Train in the 1970s. The outfit is comprised of three (3) pieces, a blue and floral print crop top (.1), a pair of white bell bottom pants (.2) ,and a blue leather belt (.3).

Smithsonian National Museum of African American History and CultureCatalog 2015.17
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
MUSEUM OBJECT
Clothing - Costume

Costume worn on Soul Train by dancer Freddie Mae Maxie

1974

FROM THE SOURCE CATALOG

This costume was worn by dancer Freddie Mae Maxie on the television show Soul Train during Marvin Gaye's performance of "Let's Get It On" on February 16, 1974. The outfit is comprised of a red short-sleeved blouse (.1) and a pair of blue cropped pants…

Smithsonian National Museum of African American History and CultureCatalog 2014.247.1.1-.2
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Source image for Cotton blouse with lace and floral embroideryLoading image…
MUSEUM OBJECT
Clothing - Fashion and Historical

Cotton blouse with lace and floral embroidery

ca.1910

FROM THE SOURCE CATALOG

A cotton blouse with lace and floral embroidery. The blouse has a three-inch-wide band collar with cotton lace sewn above and below the collar. Machine floral embroidery and eyelets are sewn across the collar. A band of cotton lace is sewn to the top of…

Smithsonian National Museum of African American History and CultureCatalog 2007.3.909
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Source image for Cotton drawers with lace trimLoading image…
MUSEUM OBJECT
Clothing - Fashion and Historical

Cotton drawers with lace trim

ca.1915

FROM THE SOURCE CATALOG

Cotton drawers with lace trim. The drawers have a one-inch-wide self-fabric waistband. The waistband is open on the proper left side and closes with a glass button and a buttonhole. The top fourteen inches of the drawers have a slit below the glass button.…

Smithsonian National Museum of African American History and CultureCatalog 2007.3.882
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Source image for Cotton envelope chemise with lace trimLoading image…
MUSEUM OBJECT
Clothing - Fashion and Historical

Cotton envelope chemise with lace trim

1920s

FROM THE SOURCE CATALOG

A handsewn cotton envelope chemise with lace cotton Valenciennes lace trim. The front of the chemise is made from a single panel of plain weave cotton batiste. There is Valenciennes lace trim around the neckline and arm holes. A beige silk satin ribbon is…

Smithsonian National Museum of African American History and CultureCatalog 2007.3.608
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Source image for Cotton eyelet dress with black flockingLoading image…
MUSEUM OBJECT
Clothing - Fashion and Historical

Cotton eyelet dress with black flocking

1950s

FROM THE SOURCE CATALOG

A "fit n' flair" cotton eyelet dress with black flocking and a circle skirt. The dress is made from natural plain weave cotton and has an all over eyelet pattern with cut outs edged with black flocking. There are also black flocking zig zag designs…

Smithsonian National Museum of African American History and CultureCatalog 2007.3.691
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Source image for Cotton flax straightenerLoading image…
MUSEUM OBJECT
Tools and Equipment

Cotton flax straightener

1820s to 1850s

FROM THE SOURCE CATALOG

Wooden fiber comb consisting of a circle cluster of nails sticking out of a rectangular wood plank. Wood is worn and slightly cracked. Metal is extremely rusted. One end of the plank has a handle carved out of it.

Smithsonian National Museum of African American History and CultureCatalog 2014.312.287
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
MUSEUM OBJECT
Accessories and Personal Effects

Cotton handkerchief from the travel wardrobe trunk used by Cab Calloway

mid 20th-late 20th century

FROM THE SOURCE CATALOG

A white handkerchief from the travel wardrobe trunk used by Cab Calloway. The ivory cotton handkerchief is square in shape and hemmed along the edges. The fabric features a woven pattern of three bands of eight thin lines that cross over at each corner,…

Smithsonian National Museum of African American History and CultureCatalog A2015.273.1.1.15
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Source image for Cotton patchwork hat with bowLoading image…
MUSEUM OBJECT
Clothing - Fashion and Historical

Cotton patchwork hat with bow

1960s

FROM THE SOURCE CATALOG

A cotton patchwork hat with a bow. The hat has a flat crown that fits closely to the top and the sides of the head. Striped fabric and ribbon in blue, red, orange, green, black, and white is used to make the hat's exterior. A self-fabric bow at the center…

Smithsonian National Museum of African American History and CultureCatalog 2007.3.472b
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Source image for Cotton petticoat with eyelet and lace trimLoading image…
MUSEUM OBJECT
Clothing - Fashion and Historical

Cotton petticoat with eyelet and lace trim

early 20th century

FROM THE SOURCE CATALOG

A cotton petticoat with eyelet and lace trim. Cotton twill ribbon with metal aglets is encased at the top of the drawstring waistband. White cotton eyelet trim one and a quarter inch wide is machine and hand sewn twenty-one inches from the top of the…

Smithsonian National Museum of African American History and CultureCatalog 2007.3.785
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Source image for Cotton petticoat with floral eyelet trimLoading image…
MUSEUM OBJECT
Clothing - Fashion and Historical

Cotton petticoat with floral eyelet trim

mid-20th century

FROM THE SOURCE CATALOG

A cotton petticoat with floral eyelet trim. The petticoat is a circle skirt. It has a center front seam and a center back opening. The selvage is along both sides of the fabric at the center front seam. White cotton self-fabric bias tape is sewn along the…

Smithsonian National Museum of African American History and CultureCatalog 2007.3.784
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
ARCHIVE RECORD
Historical photographs & visual records

Cotton picking near Lake Victoria, Tanzania

1966-06

FROM THE SOURCE CATALOG

Cataloged as “Cotton picking near Lake Victoria, Tanzania” (Slides (photographs)).

Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.2007-009, Item EEPA 2007-009-0233
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
ARCHIVE RECORD
Historical photographs & visual records

Cotton picking on a cooperative farm on shores of lake, Tanzania

1966-06

FROM THE SOURCE CATALOG

Cataloged as “Cotton picking on a cooperative farm on shores of lake, Tanzania” (Slides (photographs)).

Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.2007-009, Item EEPA 2007-009-0237
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
ARCHIVE RECORD
Historical photographs & visual records

Cotton picking on cooperative farm, Tanzania

1966-06

FROM THE SOURCE CATALOG

Cataloged as “Cotton picking on cooperative farm, Tanzania” (Slides (photographs)).

Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.2007-009, Item EEPA 2007-009-0239
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Source image for Cotton split-leg drawers with lace trimLoading image…
MUSEUM OBJECT
Clothing - Fashion and Historical

Cotton split-leg drawers with lace trim

Early 20th century

FROM THE SOURCE CATALOG

A pair of cotton split leg drawers with lace trim. The drawers are made from two panels of white cotton for each leg and each leg has four shaping darts - two on each side. The outer darts are 3.5” inches and the inner darts are 4 inches. At the center…

Smithsonian National Museum of African American History and CultureCatalog 2007.3.841
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
MUSEUM OBJECT
Furnishings, Housewares, and Décor

Couch with vinyl cover from Muse Bar, the home bar of Isaiah Muse

1970s

FROM THE SOURCE CATALOG

A loveseat-style couch with a vinyl cover and a hideaway bed. The sofa is upholstered with a maroon and red brocade-patterned fabric. The couch has two (2) removable seat cushions. Underneath the seat cushions is a retractable metal bed. The couch has four…

Smithsonian National Museum of African American History and CultureCatalog 2011.101.1
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COLLECTION RECORDImage not availableExplore the catalog description and source record.
MUSEUM OBJECT
Memorabilia and Ephemera - Other

Couple Celebrates Golden Anniversary

July 1981

FROM THE SOURCE CATALOG

An undated newspaper article on the celebration of the fiftieth wedding anniversary of Mr. and Mrs. Willie Anderson (Buck) and Amanda Carey Carter. The headline reads [Couple Celebrate Golden Anniversary]. To the right of three short columns of text is a…

Smithsonian National Museum of African American History and CultureCatalog 2011.75.35
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Biographies, museum objects and archive records are distinct card types. Every card links to its historical source.