A costume worn by Terry Ellis of En Vogue for the music video "Giving Him Something He Can Feel" (1992) comprised of a red dress (.1), a bra (.2), a pair of elbow-length black gloves (.3), and a pair of black stiletto heels (.4ab). Dress (.1): A red…
Smithsonian National Museum of African American History and CultureCatalog 2014.189.3.1-.4ab
A costume worn by Terry Ellis of En Vogue for the music video “My Lovin’ (You’re Never Gonna Get It)” (1992) comprised of a dress (.1), a bra (.2), a pair of bikini briefs (.3), and a pair of shoes (.4ab). Dress (.1): Mini-length shift dress made of small…
Smithsonian National Museum of African American History and CultureCatalog 2014.189.10.1-.4ab
This costume was worn by dancer Edith Lynn Pickens on the television show Soul Train in the 1970s. The outfit is comprised of three (3) pieces, a blue and floral print crop top (.1), a pair of white bell bottom pants (.2) ,and a blue leather belt (.3).
Smithsonian National Museum of African American History and CultureCatalog 2015.17
This costume was worn by dancer Freddie Mae Maxie on the television show Soul Train during Marvin Gaye's performance of "Let's Get It On" on February 16, 1974. The outfit is comprised of a red short-sleeved blouse (.1) and a pair of blue cropped pants…
Smithsonian National Museum of African American History and CultureCatalog 2014.247.1.1-.2
COTE D'IVOIRE - BIJOUX EN OR; 7265 - REPUBLIQUE DE COTE D'IVOIRE[,] Artisanat - bijoux en or; IRIS [logo]; MEXICHROME; Printed in France. Published by AGENCE IVOIRIENNE HACHETTE[,] B.P. 9253 - ABIDJAN.
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.2001-001, Item EEPA 2001-001-6551
COTE D'IVOIRE[,] BINGERVILLE; COTE D'IVOIRE[,] 7786 - BINGERVILLE[,] THE IVORY COAST; IRIS [logo]; MEXICHROME; Printed in France , Photographed by CHARTON, P. [Chareton] Published by AGENCE IVORIENNE HACHETTE[,] B.P. 9253 - Abidjan.
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.2001-001, Item EEPA 2001-001-0020
COTE D'IVOIRE[,] GRAND BASSAM; 7262 - REPUBLIQUE DE COTE-D'IVOIRE[,] Vues de GRAND BASSAM; IRIS [logo]; MEXICHROME; Printed in France , Published by AGENCE IVORIENNE HACHETTE[,] B.P. 9253 - Abidjan.
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.2001-001, Item EEPA 2001-001-0091
COTE D'IVOIRE LE PALM BEACH; REPUBLIQUE DE COTE D'IVOIRE[,] 7151 - Le Palm Beach; Printed in France. Published by AGENCE IVORIENNE HACHETTE[,] B.P. 9253 - ABIDJAN.
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.2001-001, Item EEPA 2001-001-0410
Photographed by Edmond Fortier and published by Collection générale Fortier, Dakar. Original caption reads, "Afrique Occidentale - Dahomey - Cotonou - Débarquement des Passagers au treuil du Wharf." Translated original caption reads, "Western Coast of…
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.1985-014, Item EEPA F3045
A cotton blouse with lace and floral embroidery. The blouse has a three-inch-wide band collar with cotton lace sewn above and below the collar. Machine floral embroidery and eyelets are sewn across the collar. A band of cotton lace is sewn to the top of…
Smithsonian National Museum of African American History and CultureCatalog 2007.3.909
Cotton drawers with lace trim. The drawers have a one-inch-wide self-fabric waistband. The waistband is open on the proper left side and closes with a glass button and a buttonhole. The top fourteen inches of the drawers have a slit below the glass button.…
Smithsonian National Museum of African American History and CultureCatalog 2007.3.882
A handsewn cotton envelope chemise with lace cotton Valenciennes lace trim. The front of the chemise is made from a single panel of plain weave cotton batiste. There is Valenciennes lace trim around the neckline and arm holes. A beige silk satin ribbon is…
Smithsonian National Museum of African American History and CultureCatalog 2007.3.608
A "fit n' flair" cotton eyelet dress with black flocking and a circle skirt. The dress is made from natural plain weave cotton and has an all over eyelet pattern with cut outs edged with black flocking. There are also black flocking zig zag designs…
Smithsonian National Museum of African American History and CultureCatalog 2007.3.691
Wooden fiber comb consisting of a circle cluster of nails sticking out of a rectangular wood plank. Wood is worn and slightly cracked. Metal is extremely rusted. One end of the plank has a handle carved out of it.
Smithsonian National Museum of African American History and CultureCatalog 2014.312.287
A white handkerchief from the travel wardrobe trunk used by Cab Calloway. The ivory cotton handkerchief is square in shape and hemmed along the edges. The fabric features a woven pattern of three bands of eight thin lines that cross over at each corner,…
Smithsonian National Museum of African American History and CultureCatalog A2015.273.1.1.15