The two volumes of complaints, February–March 1863, October–December 1864, and January–December 1865, 1 (138) and 2 (139), are arranged chronologically. Volume 1 (138) also contains a register of passes, March–July 1865, and a few letters sent by the…
Smithsonian National Museum of African American History and CultureCatalog NMAAHC.FB.M1905, File 2.3.9
Unbound complaints, June–September 1866, are arranged chronologically. These complaints appear to be entered in the single–volume register of complaints (180) described above.
Smithsonian National Museum of African American History and CultureCatalog NMAAHC.FB.M1900, File 4.25.10
The single volume of complaints, August–November 1868 (479), is arranged chronologically. The volume also contains a "Journal of Business," (November–December 1868), arranged chronologically.
Smithsonian National Museum of African American History and CultureCatalog NMAAHC.FB.M1905, File 5.68.4
A wooden complex molder. There is a concentration of soiling where the plane is handled. There is uneven staining throughout, including tidelines, but most notably on the stock's proper left side. There is evidence of older dents, abrasions, and scratches.…
Smithsonian National Museum of African American History and CultureCatalog 2023.8.24
A silver gelatin print depicting a black-and-white composite image of an unidentified man and Velma Middleton. The man is depicted on the left side of the image. He is depicted from the waist up, in three quarters profile, with his head turned towards the…
Smithsonian National Museum of African American History and CultureCatalog 2013.46.25.116
A silver gelatin print depicting a black-and-white composite image of Ole Olsen and Chic Johnson. The men’s heads have been cropped and printed against a white background. Johnson’s head, depicted on the right, is slightly overlaid over Olsen’s head, on…
Smithsonian National Museum of African American History and CultureCatalog 2013.46.25.185
Two identical silver gelatin prints depicting a black-and-white composite image of three (3) unidentified men and Laura Cathrell dressed in theatrical costumes. Cathrell stands left of center, in profile, with her torso turned towards the men on the right…
Smithsonian National Museum of African American History and CultureCatalog 2013.46.25.118.1-.2
A black-and-white photograph of a man's portrait beside a woman's portrait. The man in his own portrait on the left is wearing a moustache, plaid suit and dark tie. There is a light pocket square in his jacket breast. The woman in her own portrait on the…
Smithsonian National Museum of African American History and CultureCatalog 2012.137.12.1
Epa Festival in Otun, Ekiti, June 7, 1977; three of the four Epas performed, although persons from the four compounds having Epa sculptures participated.
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.2014-003, Item EEPA_2013-015-3918
152 GUINÉE FRANÇAISE. -- Conakry à vol d'oiseau.[,] FRENCH GUINEA. -- Conakry as the crow flies; CARTE POSTALE. Published by Collection du Comptoir Parisien, Conakry.
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.2001-001, Item EEPA 2001-001-0951
Printed caption on recto reads: "Conakry - Eglise Anglicane -Mme Thomas, institutrice, et ses élèves." Translated caption reads: "Conakry - Anglican church - Ms. Thomas, teacher, and her students." Postmarked postage stamp on verso.
Smithsonian Eliot Elisofon Photographic Archives, National Museum of African ArtCatalog EEPA.1985-014, Item EEPA GV 2012-001-0756
